Prog Multi-Instrumentalist Tim Morse To Release Remastered & Expanded 20th Anniversary Edition of His Debut Album “Transformation”

Prog multi-instrumentalist Tim Morse will be releasing a remastered and expanded 20th anniversary edition of his debut album “Transformation” on July 5, 2025! Transformation is a concept album about how a person can undergo a series of events in their lifetime that will ultimately leave him/her transformed as a result of the experience. However, unlike many concept albums, the songs on Transformation can be listened to and enjoyed separately outside of the whole album/concept.

Says Tim, “At the end of last year (producer) Mark Dean and I were observing that 2025 would be the 20th anniversary of my debut album Transformation. We decided that we would celebrate that occasion by releasing a completely new remastered version of the album with bonus tracks. Mark took on the remaster of the original recording and left me to organize the bonus tracks. I decided to put them into three groups, 1. Associated Recordings (music recorded in that era, but not intended for the album), 2. Live Recordings (live songs from Transformation, along with a cover version of the Genesis song 'Dance on a Volcano'), 3. Alternate Mixes and Demos. As it turns out, we found that there was over 60 minutes of bonus tracks, making it an essential album for fans of this music.”

“One of the associated recordings became the song 'Sacred Skies.' It was originally written and recorded with only drums, bass and a keyboard pad for one of Mark's guitar students to practice playing different modes. Says Tim, “As a joke my working title for it was 'Mr. Mister' because it had a bit of that band's sound. When the song was rediscovered this year, Mark and I completed it with additional guitar and keyboard parts. I'm very pleased with the hypnotic and spacey atmosphere it conjures.”

Tim Morse “Sacred Skies”: https://www.youtube.com/watch?v=MRObCAthRnU

The recording of the original album was a labor of love - it was a mission in life for Tim Morse and Mark Dean. They wrote, arranged, recorded and mixed for over a year until it was finished. Says Tim, “I'd often work my day job and drive an hour to his recording studio, where we'd start around 6 p.m. and finish at about two in the morning. I'd drive home in the early hours and then start the process all over again. While that might sound exhausting, I actually found the experience exhilarating. I was finally working with a producer who also happened to be a writer/multi-instrumentalist that could help me realize my musical dreams. For example when I told Mark that I wanted to add a Gregorian Chant to one of the songs, he didn't bat an eye. It was the first time I was recording music without looking at the clock in the studio, thinking about the recording budget or worrying about any 'rules' (musical or otherwise). For months it was just Mark and myself piloting the ship with occasional cameo appearances from other musicians.”

“The first thing we worked on became the song 'Present Moment.' I had written the music for it in college and performed it as an instrumental with a fusion band I was in at the time. When Mark and I met, we agreed to finish it as a song with lyrics and a vocal melody. The recording of 'Present Moment' became its own progressive rock adventure with layers of keyboard parts, haunting guitar melodies, a 28 voice choir and the incredible lead vocals of Rich Zeller. The live version of this song is the first single from the 20th Anniversary Edition of Transformation.”

Tim Morse “Present Moment”: https://www.youtube.com/watch?v=FDG9oyGZvDA

Track list:
1. Present Moment (remastered 2025)
2. To Set Sail (remastered 2025)
3. Prelude (remastered 2025)
4. Goodbye (remastered 2025)
5. Shatter (remastered 2025)
6. Temptation (remastered 2025)
7. Adrift (remastered 2025)
8. Apocalyptic Visions (remastered 2025)
9. Ascension (remastered 2025)
10. Sacred Skies (bonus track)
11. Present Moment Live (bonus track)
12. Adrift Live (bonus track)
13. Apocalyptic Visions Live (bonus track)
14. Dance on a Volcano Live (bonus track)
15. Goodbye Single Edit (bonus track)
16. Shatter Early Mix (bonus track)
17. Temptation Redux '25 (bonus track)
18. Apocalyptic Visions Redux '25 (bonus track)
19. The Chase Scene Demo (bonus track)
20. Vicious Cycle Demo (bonus track)
21. Prelude Demo (bonus track)
22. Haulin' Oats Demo (bonus track)
23. Cloudburst Demo (bonus track)
24. The Last Wave (bonus track)

Tim Morse began his instrument instruction at a young age and started composing immediately upon picking up the guitar. He later moved onto the piano and studied as a music composition major, writing extended pieces such as a string quartet and two piano sonatas. During this time Tim performed with various rock and fusion bands and played on many recording sessions. Tim’s first album of original music was entitled “Transformation” and was released in 2005. The album was well received by the Progressive Rock community and was recognized as keeping in the tradition of seventies prog-rock yet recorded and performed with a modern edge.

His second album “Faithscience” was released in 2012 and musically it picked up where “Transformation” left off, continuing to explore the best of Progressive Rock. In addition to this release Tim became a member of the Jerry Jennings band and formed The Mangoes with Bret Bingham. The Mangoes released their debut album in 2014 and it was appreciated for its pop sensibility and quirky humor. His more recent solo releases “III”, “The Archaeology Project” and "Soundtracks" were also warmly embraced by critics and fans alike.

Tim’s cover version of the classic Yes song “Awaken” has received the ultimate compliments from members of Yes – Rick Wakeman enthused, “Best YES cover I’ve heard …well done to everybody” and Jon Anderson said, “Great job with ‘Awaken’…the fact you sat around and decided to perform it is a treat…. not an easy work!” Composer/musician Adam Holzman was so impressed by this performance of it that he offered to do his own remix of the song (both versions can be found on Tim’s YouTube channel).

Tim Morse/Parallels 'Awaken' cover version: https://www.youtube.com/watch?v=ay1N95FqXWM

Here’s what the press has said about Tim Morse’s previous albums:

(Soundtracks)

“A kaleidoscopic recording that seamlessly shifts from anthemic rock to buoyant Beatles-esque pop to sweeping and swirling kinetic instrumentals to ethereal soundscapes. Soundtracks features literate, observational songwriting that explores the complexity of modern society and relationships, and offers a hopeful view that the positive elements of this species will eventually triumph.” – Anil Prasad, Innerviews

“I find I want to listen more and more. Soundtracks is a very engaging album and Tim Morse is a writer and player with lots to say. Buy this right now!” – John Wilcox, Progsheet

“A pleasant album that offers a lot for fans of progressive rock that’s on the mellow and melodic side.” – Jon Davis, Expose

“Taken as a whole, Soundtracks is a pure joy. I can't wait to play it again.” – Michale Popke, Sea of Tranquility

“This album could appeal to fans of Barclay James Harvest, Strawbs, Anthony Phillips, Ken Baird or even Tim Bowness (sans the breathy vocals). I also hear vague but reminiscent snippets here and there from The Beatles which is fine by me.” – Greg Cummins, DPRP

“When the piano-encrusted “Deidra” and “Lullaby” arrive at the scene with a six-string lace in tow to wind things down in the most tender manner, the glacially romantic, yet robustly dynamic, “Vortex” is left hanging in the ether to finally suck the spectator in Tim Morse’s universe. It’s the place to be.” – Dmitry M. Epstein, DME

“It’s high quality and works well. It would probably be a highlight of many artists’ catalog.” – Gary Hill, Music Street Journal

Prog Magazine chose the first single from Soundtracks, "Blueberry Way" as one of its tracks of the week.

(The Archaeology Project)

“A well rounded retrospective and a fitting showcase for his musical inspirations and talents.” – Geoff Feakes, DPRP

“A great way to discover Tim Morse!” – Music in Belgium

“This release is an ideal place to start your exploration of his material.” – Anil Prasad, Innerviews

“A magnificent fourteen song retrospective of Morse’s music from 2005-2020.” – Exclusive Magazine

“Classy...that speaks to both the quality and the consistency of Morse’s music. I can’t think of a better introduction to his music than this CD.” – Gary Hill, Music Street Journal

(Tim Morse III)

“There’s no doubt fans of symphonic prog will find much to enjoy. Recommended.” – Jerry Lucky, The Progressive Rock Files

“Musically, ‘III’ is enjoyable – occupying the lighter end of the Yes style spectrum.” – PROG Magazine

“Recommended for fans of melodic rock with some progressive touches.” – Jon Davis, Expose

(Faithscience)

“Tim Morse deserves to make it into the mainstream, as he surely one of the greats of the genre.” – John Bollenberg, iO Pages

“A smartly arranged, melodic-symphonic opus.” – John Collinge, Progression Magazine

“Probably the biggest surprise of the year…and highly recommended to fans of classic prog.” – Kinesis

(Transformation, original 2005 release)

“Sounds great...unbelievably proficient." Bill Bruford

"Deftly bridges classic and modern prog." Sea of Tranquility

"Transformation is a work truly realized, an impressive work of creativity that grows on one even more after repeated listening.” – Andres Valle (Mellotron)

“An interesting and expansive collection of symphonic prog songs…it not only rewards repeated listening, it demands it.” – DPRP

Tim is also a published author and his book “Yesstories” has sold over 20,000 copies worldwide. His book “Classic Rock Stories” was published by the St. Martin’s Press and was featured on the Howard Stern show and VH1. He has also written for music magazines over the years including Mix, Guitar World, Keyboard and Bass Player.

Tim will be doing videos and PR to support the release of “Transformation (20th Anniversary Edition).” He’s also working on an electronic music project that should be released in 2026. As for live performance, that is completely up to what happens with interest/demand for shows.

In closing Tim has this to impart, “I hope my fans will check out this new remastered version of Transformation as it has never sounded better. Also, I’m always grateful when anyone takes the time to listen to my music. In this modern age of endless distractions, it is a lovely thing when someone will truly listen to music.”

Release date: July 5, 2025

Transformation (20th Anniversary Edition) is available for preorder at Bandcamp.com: https://timmorse.bandcamp.com/album/transformation-20th-anniversary-edition

For more information:
Tim Morse website: https://timmorse.com/
Facebook: https://www.facebook.com/timmorsemusic
YouTube channel: https://www.youtube.com/c/TimMorseProgRock

Press inquiries: Keith James, Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

Steve Rothery and Thorsten Quaeschning Introduce Bioscope

Steve Rothery and Thorsten Quaeschning introduce their collaborative project, Bioscope, which launches with the album Gentō on August 22nd!

First single “Kaleidoscope”  OUT NOW!

Bioscope is the highly anticipated collaborative project from guitar maestro Steve Rothery (Marillion) and electronic composer Thorsten Quaeschning (Tangerine Dream).

 

 Their debut album Gentō, out August 22nd 2025 on earMUSIC, offers a deeply atmospheric journey where two distinct musical worlds converge. The album features an extraordinary performance by Elbow’s drummer Alex Reeves, whose rhythmic finesse and musical intuition bring depth and subtle momentum to the entire album.

The project began in early 2020 and gradually developed through focused five-day sessions in Berlin and at Rothery’s home studio in Southwest England. Each of the five instrumental tracks draws inspiration from man's endearing fascination with the moving image. From soaring guitar themes that recall the best of progressive rock to sequencer-driven passages rooted in Berlin School electronica, the music unfolds like a film without images – immersive, dreamlike, and full of detail. Each track reflects a shared sensibility shaped by decades of musical exploration.

Gentō will become available in retail stores as a CD+Blu-ray Digipak, including the full album in High-Res, Dolby Atmos as well as Dolby 5.1 Surround Mix, and Heavyweight Black 2LP Gatefold.

Pre-order the album Gentō HERE

The first track, “Kaleidoscope,” taken from the album, is out today and offers an exciting first glimpse into the intriguing fusion of Steve Rothery’s unmistakable melodic guitar work and Thorsten Quaeschning’s mastery of the analog electronic world. It’s a perfect blend between progressive rock and ambient music.

Stream the single “Kaleidoscope” HERE

Bioscope are Steve Rothery, founding member and guitarist of Marillion, whose melodic playing helped define the sound of modern progressive rock and led to millions of records sold and Thorsten Quaeschning, musical director of Tangerine Dream, credited on over 80 releases and internationally known for his work on film and game soundtracks, real-time composition, and electronic music innovation.

Together, they bring decades of musical experience to a project that feels both intimate and expansive. Rothery’s guitar lines speak with emotional clarity, while Quaeschning’s detailed sound design shapes the music’s internal architecture.

Their collaboration is not just a fusion of styles, but a thoughtful dialogue between two established musical identities – a true “bioscope” in the sense of offering a view of life through music.

The name Bioscope comes from the Greek bios (life) and skopeein (to look). Before cinema, it meant “a view or survey of life” – a fitting metaphor for a project that turns musical experience into shared perception.

Bioscope

Gentō
Album Release: August 22, 2025
Single Release: “Kaleidoscope” May 15th, 2025

Formats:
- 2CD+Blu-ray Digipak
- Black 2LP Gatefold
- Digital Audio

Tracklist CD:
1. Vanishing Point (Pt. 1, 2 & 3)
2. Gentō
3. Kinetoscope (Pt. 1 & 2)
4. Bioscope (Pt. 1, 2 & 3)
5. Kaleidoscope

Tracklist Blu-ray:
Full Album with visual in Stereo, Dolby Atmos and 5.1 48kHz/24bit

Tracklist LP:
Side A: Vanishing Point (Pt. 1, 2 & 3)
Side B: Gentō
             Kaleidoscope
Side C: Kinetoscope (Pt. 1 & 2)
Side D:  Bioscope (Pt. 1, 2 & 3)

 

FOR PR INQUIRIES, CONTACT: 
Chip Ruggieri 
Chipster PR & Consulting, Inc. 
chip@chipsterpr.com

Guitarist/Bassist/Composer Barend Tromp To Release New Album “Odd Time Concepts” on June 6, 2025

Barend Tromp is a guitarist, bassist, and composer from the Netherlands whose music transcends borders and genres. With a background as diverse as his sound, Barend studied classical guitar at the Conservatory of Tilburg and attained a masters in Music Science at the University of Amsterdam. His passion for musical exploration led him to India and across Europe, where he studied the sitar under renowned masters. These influences — from Western classical to Indian raga — deeply inform his bass playing, resulting in a distinctive, genre-defying style.

Blending the rhythmic intricacy of slap bass with melodic and harmonic elements borrowed from guitar and sitar traditions, Barend has developed a voice all his own. In addition to his performance work, he’s a dedicated educator, teaching at various music schools and serving as a long-standing contributor to the Dutch bass magazine De Bassist. He is also the author of two guitar books and the acclaimed two-volume instructional series Next Level Slap Bass, widely respected for its innovative approach.

Barend’s music is as eclectic as it is original — a fusion of jazz, funk, world music, 70s progressive rock, electronic textures, and 20th-century classical influences. Yet, despite the complexity of these elements, his compositions remain grounded in groove and emotional resonance.

In 2021, Barend released his debut solo album Six Against Four, in which he showcases his multi-instrumentalist skills by both writing and performing all parts himself. The following year, his imaginative concept album Juvenile Fish Tales was released by Subcontinental Records (India). Inspired by a childhood book about marine life, the album features eleven instrumental tracks — each representing a different fish — and includes a special guest appearance by legendary American bassist Michael Manring. The project was met with widespread acclaim for its creativity and execution.

In 2025, Barend takes a bold leap into rhythmic experimentation with his third album, Odd Time Concepts, released on 7D Media — a U.S.-based label founded by visionary King Crimson alumnus Trey Gunn. Each of the album’s eleven tracks explores a unique time signature, ranging from familiar meters like 3/4 to more adventurous odd time signatures such as 13/16 and 21/8. Featuring four drummers, including progressive rock icon Pat Mastelotto (King Crimson, Stick Men), the album also includes a standout Warr guitar solo by Trey Gunn on the track “Madhuvanti.” Despite its experimental nature, the album remains accessible — maintaining groove and clarity throughout.

With each project, Barend Tromp continues to push the boundaries of composition and technique, crafting music that is both innovative and deeply expressive. His work resonates with musicians and listeners alike, offering a fresh and fearless perspective on contemporary instrumental music.

Track list:
1. Sitharsis
2. Gamelan Sepuluh
3. Life Path 21
4. Heavy Slap
5. Madhuvanti
6. Baritone War
7. Chromatron (Parts 1-3)
8. Thirteen
9. Access to the Sixth Dimension
10. Pandrah Ka Yantra
11. Chromatron (Parts 4-5)

Credits:
Barend Tromp - fretted and fretless basses, fretted and fretless guitars, sitar and synths
Trey Gunn - Warr guitar solo on 5
Pat Mastelotto - drums on 8
Ron van Stratum - drums on 2 & 10
Nathan van de Wouw - drums on 1 & 6
Eugene Vugts - drums on 4

All songs composed and mixed by Barend Tromp
Mastered by Michael Valentine West
Graphic design by Maarten Tromp

For more information: https://7dmedia.com/odd-time-concepts
YouTube: https://www.youtube.com/@barendtromp
Next Level Slap Bass Website: https://nextlevel-slapbass.com
Next Level Slap Bass Instagram: https://www.instagram.com/next_level_slap_bass/
Next Level Slap Bass Facebook: https://www.facebook.com/NextLevelSlapBass/

Press inquiries: Keith James, Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

Progressive Rock Review: Jethro Tull-Curious Ruminant

Release Date:  March 7, 2025

Label: Inside Out

Website

Ian Anderson's creativity, a timeless force that has not waned after all these years, continues to shine. His primary vehicle for presenting his creations, Jethro Tull, is still making viable progressive rock, and that legacy is upheld in the most recent recording, Curious Ruminant.

 

As most fans have become intimately familiar with Ian 2.0 and his voice, the music's strength carries him into the future. He sings/talks his way through his storytelling, a familiar and comforting journey that works just fine as far as I am concerned.

 

The subject matter presented here can be deep and reflective for a man nearing 80. He hints in the liner notes that he is still here and plans to continue, but you never know what tomorrow may bring. So, as a long-time fan, I appreciate what he continues to do more with each passing year.

 

Curious Ruminant is an excellent addition to the Jethro Tull catalog. The one song that amazed me was the nearly seventeen-minute "Drink From The Same Well."  It was on the level of some lengthier prog rock classics, such as Thick As A Brick. It was not nearly as long, just reminiscent of that musical muscle stretching out like the earlier version of the band, and what it was known for.

 

"Puppet And The Puppet Master" kicks off the journey with a soft beginning, then into a flute intro. His playing of that instrument remains captivating. The pace gradually increases with fluidity, yet is restrained and quite effective. A splendid solo from the electric guitar is a highlight, albeit short, as the other positions also get their chance to announce their arrival to the mix.

 

"Curious Ruminant" begins with an excellent bass and guitar. The music is fantastic and rocks, with some holding back on exuberance and intensity. Acoustic interludes find their way into the mix, and the electric guitar lines weave into the tapestry of multi-hued sounds. A melodic flute coursing through brings pleasantries as more electric guitar fills the space.

 

"Dunsinane Hill" features a mellowed-out flute piece casually inviting you in. Intricate guitar notes float over that beautiful instrument as the bass and drums precisely keep the path clear for Ian's skillful approach to every composition. Some catchy rhythms and lovely flute passages keep your interest.

 

"The Tipu House" immediately starts with a faster tempo with the flute. A tempered guitar lends elegance as the bottom end holds on strong and true. Keyboard flurries are catchy here and firmly in place, giving it all a prog-like feel. A "shut the door" ending finishes out the track.

 

"Savannah Of Paddington Green" immediately brings the acoustic guitar to the front, accompanied by Ian's lyrics. The tempo increases with a colorful amount of music, changes direction, and returns to where it started. The lyrics reach you through the perfected instrumentation and Ian's subdued delivery. It's important to note how understandable Ian is, which is key in interpretation, where he is coming from, or always implying, to make you feel and reflect more.

 

"Stygian Hand" rang out in a celebratory atmosphere as if the court jesters had entered to entertain the royal family. It felt like an old English setting in the days of castles, moats, and drawbridges. Some rhythmic guitars, acoustically driven, take hold with superbly magical flute playing. Andrew Gidding does a fantastic job on the keys, as he always does. A well-placed electric guitar, albeit just a taste, closes out this side of the platter.

 

Side B is where things get more interesting, intense, and colorful from start to finish. The first side set the tone, and now they take it all to the next level.

 

"Over Jerusalem" begins the second half of this musical journey with acoustic strings accompanied by the flute, a perfect marriage. Soft backing music prevails as Ian sings. The halfway point brings some great electric guitar kicking in, with the flute blended in nicely. This is very JT-like as the electric guitar lets loose for the first time for some exciting licks. The mix is extraordinary as the flute and acoustic guitar answer each other. The best of both worlds comes at you, bringing a wonderfully energetic opener.

 

As I mentioned, "Drink From The Same Well" is impressive. A beautiful flute and an acoustic piano introduce this multiverse of music. The changes in direction during the track's run are significant. The flute takes a more aggressive stance with consummate elegance and precision, and as the changes develop, you recognize the instrumental bliss of it all. Sudden stops provide more turns in the road as the flute is dancing its way into your heart. This is an instrumental work of art. The bass then becomes prominent. As if to say, "I want to let you know it is still a key component in driving this musical ship."

 

A lovely piano interlude adds an extra layer of ambiance. Then, there is a short pause as Ian begins to speak and offer the words of importance: "I drink from the same well as you." This is a prolific humanitarian message to us all. The energy shifts yet again to a more upbeat tempo as the flute sounds inflected with jazz for a short period, which was an entirely different twist. After that, it returns to the more colorful notes we enjoy. The track turns into an excellent mover with varying tempos and tones. The progressive rock holds you spellbound as there is another pause, then Ian goes into the closing out of the recording, reciting "Interim Sleep."

 

Curious Ruminant features all the facets of a Jethro Tull album you would expect, including acoustic and electric guitar moments and embellishments of many other instruments for color and texture.

This is everything one could ask for at this point in the band's career, including moments of progressive rock that you will remember fondly. That is very satisfying as a music lover and a lifelong band fan.

Keith “MuzikMan” Hannaleck-PMR Reviews Founder

May 28, 2025

Tracks:

Side A:

Puppet And The Puppet Master [4:04]

Curious Ruminant [6:00]

Dunsinane Hill [4:17]

The Tipu House [3:31]

Savannah Of Paddington Green [3:13]

Stygian Hand [4:16]

Side B:

Over Jerusalem [5:55]

Drink From The Same Well [16:42]

Interim Sleep [2:33]

Keyboard Legend Rick Wakeman’s THE OFFICIAL BROADCAST COLLECTION 15-Disc Set (10 x CD’s + 5 x DVD’s) - OUT NOW!

Rick Wakeman’s THE OFFICIAL BROADCAST COLLECTION is a remarkable anthology that captures the virtuosity and creativity of one of progressive rock’s most iconic keyboardists. This collection features a curated selection of live performances and broadcasts spanning Wakeman’s illustrious career, showcasing his unparalleled skill on the piano, synthesizers, and other keyboards. From his early days with YES to his solo projects, these live recordings highlight his ability to blend classical influences with rock innovation, creating a unique and timeless sound.

Fans are treated to a mix of well-known pieces and rare performances, offering an extremely comprehensive look at Wakeman’s evolution as an artist. Each track reflects his flair for dramatic storytelling through music, often accompanied by elaborate arrangements and intricate solos.

This 15-disc set, a mixture of TV and Radio broadcasts, captures his mind-blowing talent, his engaging stage presence and humor, which have endeared him to audiences worldwide for decades.

The contents are:

NOTTINGHAM 1990

CD ONE

CATHERINE PARR ELIZABETHAN ROCK MAKE ME A WOMAN ANNE BOLEYN JOURNEY TO THE CENTRE OF THE EARTH

CD TWO

HANGMAN SEA HORSES KING ARTHUR

DVD

CATHERINE PARR ELIZABETHAN ROCK MAKE ME A WOMAN ANNE BOLEYN JOURNEY TO THE CENTRE OF THE EARTH

Line Up

Rick Wakeman - Keyboards & Stories Ashley Holt - Vocals and Electronic Percussion Tony Fernandez - Drums and Percussion David Paton – Bass

BRAZIL 2001 17th APRIL 2001

CD ONE

INTRO JOURNEY TO THE CENTRE OF THE EARTH ARTHUR THE LAST BATTLE SIR LANCELOT AND THE BLACK KNIGHT CATHERINE HOWARD 1984

CD TWO

BAND INTRO MERLIN THE MAGICIAN STARSHIP TROOPER ELEANOR RIGBY END CREDITS

DVD

INTRO JOURNEY TO THE CENTRE OF THE EARTH ARTHUR THE LAST BATTLE SIR LANCELOT AND THE BLACK KNIGHT CATHERINE HOWARD 1984 BAND INTRO MERLIN THE MAGICIAN STARSHIP TROOPER ELEANOR RIGBY END CREDITS

Line up

Rick Wakeman - Keyboards Damian Wilson - Vocals Anthony Fernandez - Drums Lee Pomeroy - Bass Antony Glinne - Guitar Adam Wakeman - Keyboards

LONDON 1st OCTOBER 1987

Dedicated to the memory of my dear friend Ramon

CD ONE

MYTHS AND LEGENDS EXCERPTS SEA HORSES WELCOME THE STAR THE HOUR GONE BUT NOT FORGOTTEN CATHERINE HOWARD ROBOT MAN

CD TWO

WHITE ROCK ANNE BOLEYN SUMMERTIME OVERTURE FROM 1984 JOURNEY TO THE CENTRE OF THE EARTH MERLIN THE MAGICIAN

Line Up

Rick Wakeman - Keyboards & Stories Tony Fernandez - Drums David Paton - Bass Ashley Holt - Vocals Ramon Remidias - Vocals & Narration

SWANSEA 12th OCTOBER 1989

CD

ARTHUR THE LAST BATTLE MAKE ME A WOMAN MERLIN THE MAGICIAN JOURNEY TO THE CENTRE OF THE EARTH CATHERINE PARR

DVD

ARTHUR THE LAST BATTLE MAKE ME A WOMAN MERLIN THE MAGICIAN JOURNEY TO THE CENTRE OF THE EARTH CATHERINE PARR

Line Up

Rick Wakeman- Keyboards & Stories Tony Fernandez - Drums David Paton - Bass Ashley Holt – Vocals Special Thanks to Simon Howe for saving this recording.

SWEDEN 5th OCTOBER 1980

CD

CATHERINE PARR NO EARTHLY CONNECTION MEDLEY THE WARNING THE PRISONER ANNE BOLEYN HAPPY BIRTHDAY KARLS KRONA KING ARTHUR MEDLEY: GALAHAD, THE LAST BATTLE, MERLIN THE MAGICIAN JOURNEY TO THE CENTRE OF THE EARTH MEDLEY: JOURNEY OVERTURE, THE JOURNEY, THE HANSBACH, THE BATTLE, THE FOREST

DVD

CATHERINE PARR NO EARTHLY CONNECTION MEDLEY THE WARNING THE PRISONER ANNE BOLEYN HAPPY BIRTHDAY KARLS KRONA KING ARTHUR MEDLEY: GALAHAD, THE LAST BATTLE, MERLIN THE MAGICIAN JOURNEY TO THE CENTRE OF THE EARTH MEDLEY: JOURNEY OVERTURE, THE JOURNEY, THE HANSBACH, THE BATTLE, THE FOREST

Line Up

Rick Wakeman- Keyboards, Piano Tony Fernandez - Drums Ashley Holt - Vocals Tim Stone - Guitars Steve Barnacle – Bass

ARGENTINA 20th October 2014

CD ONE

THE JOURNEY THE RECOLLECTION THE BATTLE

RIDE OF YOUR LIFE ENCORE (THE BATTLE)

ARGENTINA 2014

DVD

THE JOURNEY THE RECOLLECTION THE BATTLE RIDE OF YOUR LIFE ENCORE (THE BATTLE)

Line Up

Rick Wakeman - Keyboards Dave Colquhoun - Guitar Tony Fernandez - Drums Ashley Holt - Vocals Florencia Benitez - Vocals Ivan Espeche – Narration

Disc 1. Live in Nottingham 1990 CD1 Disc 2. Live in Nottingham 1990 CD2 Disc 3. Live in Nottingham 1990 DVD

Disc 4. Live in Brazil 2001 CD1 Disc 5. Live in Brazil 2001 CD2 Disc 6. Live in Brazil 2001 DVD

Disc 7. The RW Experience London CD1 Disc 8. The RW Experience London CD2

Disc 9. Live in Swansea 1989 CD Disc 10. Live in Swansea 1989 DVD

Disc 11. Live in Sweden Live 1980 CD Disc 12. Live in Sweden Live 1980 DVD

Disc 13. Live in Argentina 2024 DVD Disc 14. Live in Argentina 2024 CD1 Disc 15. Live in Argentina 2024 CD2

To purchase: https://www.rickwakemansmusicemporium.com/products/rick-wakeman-the-official-broadcast-collection

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

Japanese Progressive Rock Band Yuka & Chronoship Announce the Release of the New Studio Album Ribbon Butterfly – OUT NOW!

Yuka & Chronoship was formed in 2009 by Yuka Funakoshi (a rare female progressive rock artist in the world) and experienced musician and producer, Shun Taguchi.

Yuka & Chronoship has released a series of albums that have built up a worldwide following as they break new ground in the progressive rock genre.

‘Ribbon Butterfly’ is a concept album with instrumental passages that each correspond with a page in the 36-page booklet with artwork by Freyja Dean.  The band’s logo is by Roger Dean.

Yuka said of the album’s release, “Having been working on the album for 7 years including the pandemic period, we are now thrilled to deliver our gift of story, art, and music: a 36-page long SciFi story, its visual renderings, and the visually inspired songs. This is our absolute masterpiece!”

Track list:
1. Ribbon Butterfly
2. Aunt Clairvoyance
3. Children of Yewtree
4. Hourglass Cove
5. Chronofis
6. Polar Dark
7. Sleeping Girl in the Stained Glass
8. Planetary Cleansing
9. Mummy and Daddy
10. Do All Human Beings Dream the Same Dream?

Amazon CD: https://geni.us/RibbonButterlyCD

Apple Music: https://geni.us/RibbonButterflyAM

Spotify: https://geni.us/RibbonButterflySP

Also available directly from Cherry Red: https://www.cherryred.co.uk/yuka-and-chronoship-ribbon-butterfly-cd

Press inquiries: Keith James, Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

Progressive Rock Ambient Vinyl Review: Envy of None-Stygian Wavz

Release Date:  March 14, 2025

Label: KScope

Website:  https://envyofnone.com/

Alex Lifeson needs no introduction if you are familiar with his former band, Rush. If, on the other hand, you are not familiar with this man's abilities on the guitar, then I have a place where you can start and work your way back.

The second album from his band, Envy of None, Stygian Wavz, was released in January of this year. This unique album, which I had the pleasure of reviewing in its half-speed master vinyl LP format, is a must-listen for any music enthusiast.

Envy Of None Are:

Alf Annibalini – Guitar, Keyboards, Programming

Andy Curran – Bass Guitar, Background Vocals, Guitar, Programming

Alex Lifeson- Guitar, Mandola, Oud, Programming

Maiah Wynne – Lead Vocals, Background Vocals, Keyboards

Besides some of the names you may be familiar with, this band has a member who stands out clearly as one of its stars: the lead vocalist, Maiah Wynne. Her breathy, atmospheric vocal style adds ambient sound layers to their diverse offerings on this magnificent recording. I call it progressive ambient rock. That does not explain everything you will hear on Stygian Wavz. 

I will provide the breakdown, and you can listen to the stream and decide for yourself what you want to call it; however, the bottom line is that this is excellent music.

Side one opens with "Not Dead Yet." It is a powerful choice of words for a title. A great opening bass line sets the tone for the album, accompanied by atmospheric music and vocals. Alex gets heavy with his guitar work, then reverts to more tasteful notes. Various cool synth sounds fill the space, accompanied by excellent drumming.

"The Story" explodes with fuzzy, chunky chords flying off Alex's strings. The music has a driving feel, with the synth and lower tones fluttering away, and it provides numerous transitions— a feature you become accustomed to in every song. As they range from subtle nuances to driving rhythms and echoing guitar sounds, Maiah's vocals are a constant complement, regardless of the music's direction. That thread weaves its way throughout this listen and is a credit to this lady's incredible talents. The layering of the music is genius, and Alex constantly reminds you of his greatness with the various instruments at his command.

"Under The Stars" features a different intro this time, which is subdued with a prominent bass line. Guitars with effects are highly effective in complementing the lyrics. Some great leads come again from Alex, which are short and sweet, then they return to the core of the composition's sound. A special treat is Joe Vitale on drums (he was on some of the great early Joe Walsh solo albums). 

"Thrill Of The Chase" is a total departure from the previous sounds, as the drums provide the opening door to an upbeat, fast-moving number. Once again, they alternate between rapid movements and a slower tempo, incorporating more subtle layers to keep things interesting. There are always many different sounds interspersed with this music, making it a complete track with a lot going on to take in. Steady bass and drums always provide a solid foundation for the other instruments. Alex offers a retro sound on his guitar around ¾ of the way into the song. It reminded me of the 1960s.

"Handle With Care" brings the sound of the digital age to your speakers, featuring a computer-generated voice that floats over ambient layers, accompanied by driving bass and drums, and silky-smooth vocals that complete the sound. As side one closes out, you have heard something different in every track, so get ready for more when you flip the LP.

Side two opens with "That Was Then," and we are off to a good start, and all signs are pointing to a continuation of excellence. The sound reminded me of late 80s Bowie —a danceable, industrial kind of sound. The drum rhythms are key here. It's a sound with a definitive edge to it. Alex comes in with a bluesy guitar run to give some more flavor and spice. 

"Raindrops" features another sonic shift, with a funky bass and guitar that complement the vocals, which float beautifully over the top. Background vocals by Maiah provide yet another layer of ambiance to the mix. The ever-shifting music is brilliant.

"New Trip" brings some country-inflected notes to the mix, once again surprising the listener with their seemingly endless resource of influences and sounds. The rhythm section laid down a soft carpet of a backbeat for those amazing vocals to float upon. Echoing soft guitar lines are gorgeous and fill all the space perfectly, as the vocals consistently enhance their sound and change.

"Clouds" of ambient textures, accompanied by gentle piano and synths, with nicely placed guitar, provide emphasis on the fullness of their music and tastefulness. Maiah's vocals are superb, and she also reaches some higher range on this one, particularly towards the end when the guitar cuts loose. They do rock enough throughout, but are equally adept at flipping the script during this album.

"The End" begins with a reflective introduction that seamlessly transitions into their excellent layered sound, featuring some nice picking from Alex. The synth in the background keeps pace as the drums and bass provide their usual excellence. Mesmerizing sounds and vocals are their forte, and they take you to dreamland within each track.

"Stygian Waves" begins with a rock-solid bass line and understated guitar, then undergoes a significant change (no surprise there) as it accelerates in tempo with the keys. The amazing vocals and elements of Middle Eastern influences abound. An avalanche of sound pours down on you, then a short reprieve, then back again with some powerful wordless vocals. It's like a musical rollercoaster, catching you off guard at every turn, much like the unexpected reunion between Jimmy Page and Robert Plant in 1994 and the sound on No Quarter. It's an incredible way to close out this recording with something so different and fresh.

In conclusion, Stygian Wavz is a monumental achievement of musical art and diversity. I must give credit to Alex Lifeson for keeping the creative fires burning after Rush disbanded. I know I didn't mention the rhythm section by name (although it appears that the drums were programmed in). However, their importance is no less than the two stars out front. Alf Annibalini and Andy Curran are the two parts that make up the whole, forming a musical entity. 

These four extremely talented individuals have recorded one of the albums of 2025 that will never be forgotten.

Keith “MuzikMan” Hannaleck-TFOV Founder

May 17, 2025

Tracks:

Side A:

Not Dead Yet [03:29]

The Story [04:41]

Under The Stars [04:32]

Thrill Of The Chase [03:40]

Handle With Care [04:14]

Side B:

That Was Then [03:46]

Raindrops [03:33]

New Trip [03:55]

Clouds [04:02]

The End [03:58]

Stygian Waves [03:37]