Manfred Mann’s Earth Band Vocal Legend Chris Thompson To Release Last Ever Live Album “The Final Round”

“The Final Round”, the last ever live album by legendary Manfred Mann’s Earth Band vocalist Chris Thompson, was recorded in Germany during The Final Round Tour 2022. It was recorded with Chris’s band of 21 years featuring Mads Eriksen, Frank Hovland, Gunnar Bjelland and Zsolt Meszaros, with special guest Marc Rohles.

It is a 2-hour long CD set featuring all the hits of course. Delving back into the early Manfred Mann’s Earth Band classics like “Messin” and “Buddha”, plus some new originals from Chris and of course “You’re The Voice”. It is a great representation of the songs Chris has been playing over the years with the band, producing some great live versions. Anybody who has been a fan of Chris over the last years will not be disappointed with the quality of these CDs or the track listing.

Chris says, “It has been a great pleasure for me to play with these guys over the last 21 years. The best band in the land, enjoy! I shall miss it!”

Track list:

WAITER THERE’S A YAWN IN MY EAR
DEMOLITION MAN
YOU ANGEL YOU
ANGELS AT MY GATE
MESSIN’
FOR YOU
FATHER OF DAY
MARTHA’S MADMAN
WOE IS ME
CHICAGO INSTITUTE
WHOLE LOT TO GIVE
BUDDHA
DON’T KILL IT CAROL
BLINDED BY THE LIGHT
(DRUM SOLO INTO) FOR YOU REPRISE
THE MIGHTY QUINN

Encores

YOU’RE THE VOICE
DAVY’S ON THE ROAD AGAIN

To purchase: https://cherryred.co/TheFinalRound

“The Final Round” is available digitally through Cherry Red Digital, but Chris has some physical copies of the CD, which he is giving away, all signed, for free, or with a donation to a Kids Cancer Station in Karlsruhe which he is supporting. He has already raised over 5000 Euros. All the details of how to get a free copy of the CD, and / or donate are on Chris’s Web Site. You can also see details of the charity Chris is raising money for. christhompson-central.com

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

The Moody Blues’ John Lodge USA Feb and March 2025 Tour – New Dates Added!

“Performs Days of Future Passed Tour” - Playing the iconic album in its entirely, plus a selection of CLASSIC HITS

John Lodge, legendary bass player, songwriter and vocalist of The Moody Blues, and Rock and Roll Hall of Famer, will be back on the road in February and March with his electrifying ‘Performs Days of Future’ show, featuring a first set of Moody Blues classic hits, and a second set of this iconic album, performed in its entirety.

The tour kicks off on February 19th at the Capitol Theatre in Port Chester, NY, and includes 12 dates in the NE, Midwest and Florida, plus his appearance on the ‘Rock and Romance Cruise’, sailing out of Fort Lauderdale on March 15. Then John will be taking his show to the UK for the very first time - ‘Bringing it Home’!

All dates are now on sale, with limited VIP packages available, go to: https://www.johnlodge.com/tour.

This is a unique opportunity to hear fan favorites such as ‘Isn’t Life Strange’, ‘Legend of a Mind’, ‘I’m Just a Singer (in a Rock and Roll Band)’ and ‘Ride my See-Saw’, plus this groundbreaking album. John and his band lovingly recreate these classic songs, in full symphonic glory, and together with his tributes to his bandmates, and the mesmerizing video of Graeme Edge reciting his poetry, the audience is truly transported back to Moody Blues concerts of the past.

photo by Dana Grubb

Following a stroke at the end of 2023, John has gone from strength to strength, driven by his love for this music, and his deeply held desire to continue to share it with the fans. The critically acclaimed shows in July and November 2024 are testament to his passion and commitment, and as John says, his hope is that people leave with a little bit of joy, and certainly the audience can be seen leaving with Moodies magic around them.

Joining John on stage are his 10,000 Light Years Band featuring Alan Hewitt and Billy Ashbaugh (from the Moody Blues touring band), Duffy King and Jason Charboneau, plus Jon Davison of YES will again be joining John on stage to provide his soaring vocals on ‘Nights in White Satin’ and ‘Tuesday Afternoon’.

“A lot of these places we used to go to as the Moody Blues, and I just want to give the fans a sense of that time again. It may not be a Moody Blues show, but Alan, Billy, Duffy, Jason and, of course Jon, create an incredible energy on stage, and such beautiful music. Then when Graeme appears on screen, and I turn to hear his beautiful words, it all makes me feel part of something very special, and I can feel I share it with the audience. Being on stage with them all, I think we all smile together, all of us on stage, and all of those in the audience. It’s a little moment away from the challenges of life.”

Check out the tour video here: https://www.youtube.com/watch?v=QqUEvAo97Hk

“Days of Future Passed” was released 58 years ago, and was arguably the start of progressive rock. John has surrounded himself with a band who put simply, love performing together, and who appreciate and respect the legacy of the music. The Moodies may not perform any more, and the loss of Graeme, Ray and Mike is felt deeply, but this show honours John’s friends and the music.

The electrifying show will also be in support of John’s new EP “Love Conquers All” out on Feb 14th, and available now for pre-order on Amazon and other online stores. Signed copies are also available including limited edition vinyl. The first single ‘Love Will Conquer All’ is available now on all streaming services and hit the No. 1 spot over New Year on the Fab Chart.

For USA (including the limited edition 180g violet vinyl, hand signed by John): https://shop.johnlodge.com

For the UK (including the limited edition 180g blue vinyl with a special hand signed insert): https://burningshed.com/store/john-lodge_store

Check out the first single ‘Love Will Conquer All’ here: https://www.youtube.com/watch?v=TYzdgyvXiQM

‘If you love The Moody Blues music, then you really need to check out John live.  He and the band put on a great show!’

John Lodge is bass guitarist, vocalist, and songwriter for the iconic Rock & Roll Hall Of Fame 2018 inductees, The Moody Blues. Songwriter of such mega Moody Blues hits from ‘Ride My See-Saw’, to ‘I’m Just A Singer (In A Rock and Roll Band)’, ‘Isn’t Life Strange’ and many more. Lodge has been performing and recording with The Moody Blues for more than five decades, selling in excess of 70 million albums, as well as releasing his three solo albums “Natural Avenue”, “10,000 Light Years Ago and B Yond”. Lodge has been voted one of the “10 most influential bass players on the planet,” and has been the recipient of many awards, including ASCAP (American Society of Composers and Publishers), an Ivor Novello Award, a Lifetime Achievement Award from Prog Magazine, to name just a few.

USA Dates
Feb 19 Capitol Theatre Port Chester, NY
Feb 20 Cary Hall, Lexington, MA
Feb 22 Shubert Theater, New Haven, CT
Feb 23 The Vogel, Red Bank, NJ
Feb 25 Keswick Theatre, Glenside, PA
Feb 26 Westbury Music Fair, Westbury, NY
Feb 28 Brown County Music Center, Nashville, IL
Mar 1 Genesee Theater, Waukegan, IL
Mar 3 Orpheum Theatre, Sioux City, IA
Mar 5 Pabst Theatre, Milwaukee, WI
March 15 - 22 Rock and Romance Cruise
March 23 The Villages, FL
March 24 The Center of Anna Maria Island, FL

UK Dates
April 6 Birmingham Town Hall
April 8 Royal Northern College of Music, Manchester
April 9 Pavilion Theatre, Glasgow
April 11 Union Chapel, London
April 14 St George’s, Bristol
April 15 G Live, Guildford

All dates at www.johnlodge.com/tour

For further information:
https://www.johnlodge.com/
https://www.facebook.com/johnlodgemusic/
https://twitter.com/johnlodgemusic
https://www.instagram.com/johnlodgemusic/
https://www.youtube.com/c/johnlodgemusic

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

JON ANDERSON AND THE BAND GEEKS ANNOUNCE LEG ONE OF THEIR 2025 NORTH AMERICA TOUR

Jon Anderson and The Band Geeks announce today the first leg of their 2025 North American tour. The 18 show tour begins at the Rialto Theater in Tucson Arizona on April 1st and concludes at the Carteret New Jersey Performing Arts Center on May 18th.  The evening will consist of YES epics and classics as well as songs from the band’s debut album TRUE which was released in August 2024 to worldwide critical acclaim.

The tour will be in support of the band’s live cd/dvd , vinyl, and blu-ray Jon Anderson and The Band Geeks Live - Perpetual Change set for release on March 14th. The album is available for preorder here: https://ffm.to/jonandersonperpetualchange

A video for the YES classic And You And I, taken from the dvd, is available to view here: https://www.youtube.com/watch?v=nTGt2rr0o74

Dates for leg one are below:
April 1 Tucson AZ –The Rialto Theater
April 3- Anaheim CA-The Grove of Anaheim
April 5-Las Vegas NV-The Theater at Virgin Hotels Las Vegas
April 8-Oakland CA-Fox Theater
April 11-Sacramento CA- SAFE Credit Union Performing Arts Center
April 14-Seattle WA- Moore Theater
April 19-Rockford IL-Coronado Pac
April 23-Milwaukee WI-Pabst Theater
April 25-Des Plaines IL-Des Plaines Theater
April 27-St.Charles IL-The Arcada Theater
April 30-North Tonawanda NY-Riviera Theater
May 2-Cleveland OH-The Agora
May 4-Lancaster PA-American Music Theater
May 7-Wilmington DE-The Grand Opera House
May 10-Ridgefield CT –The Ridgefield Playhouse
May 12-Ridgefield CT-The Ridgefield Playhouse
May 16-Westbury NY-Flagstar at Westbury Music Fair
May 18-Carteret NJ- Carteret Performing Arts Center

For more information:
Jon Anderson’s official website: www.JonAnderson.com
Band Geek official website: https://richiecastellano.com/bandgeek/
Jon Anderson YES Epics and Classics:
Website -  http://jonandersonyesepicsandclassics.com/
Facebook - Jon Anderson YES Epics & Classics - https://www.facebook.com/jonandersonyesepicsandclassics/
Twitter - @JonYesEpic
Instagram - @jonandersonyesepicsandclassics
TikTok - @JonAndersonYESEpic
YouTube - Jon Anderson YES Epics & Classics - https://www.youtube.com/channel/UCIvSkw_3SAs1Yy2Ro68GzLw

Management:
Larry Mazer
Entertainment Services Unlimited
One Echelon Plaza, 227 Laurel Road, Suite 106
Voorhees, NJ 08043
P - 856.751.2223
C- 856-816-2820

Agent:
Steve Schenck | TKO
141 Halstead Avenue | 4th Fl.  Mamaroneck, NY  10543
PH: 914-346-8938
email: steveschenck@tkoco.com

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

Progressive Rock Review: Nektar-Mission To Mars

Release Date: August 30, 2024

Label: Deko Entertainment

Website

Nektar's latest edition of their storied history is Mission To Mars. With the loss of key members, the band has taken on a different sound. This is not your 70s Tab In The Ocean band anymore. I did have the opportunity to cover some of the remastered classic albums many years ago, so I remember how amazing they sounded and their comeback after many years on the shelf.

 

Listeners cannot expect to have one original member left and still have the same sound. Bands change, move on, and take chances, and sometimes, it is forced upon them if they want to continue, which was Nektar's scenario.

 

The only original musician left is Derek "Mo" Moore (bass), who now handles the vocal duties, but some longtime members are still contributing. This release is a mixture of rock and progressive. The music gets better quickly with many changes on three of the tracks, and keep in mind there are four tracks on this LP. Some good parts are progressive but not what longtime fans would expect to hear.

 

Side one begins with a rock and blues-tempered title track, "Mission To Mars," which you expect to be prog, but it's not at first. Once it started, I thought they sounded like today's Cactus (with the gruff-edged vocals), which threw me off until things moved along more. There are some substantial lead guitar parts and good harmonizing. A cool keyboard comes in at the midpoint; it becomes more of a jam with excellent instrumentation. Musically, some prog elements towards the end sounded more like the band I remembered. The vocals are not top-notch, but to be fair, they are adequate and have room for improvement. In any event, it turns into a strong track.

 

"Long Lost Sunday" starts with a mellow riff as the bass and drums jump right in, then it changes with more energy as the guitar chords start getting thicker, and then it goes back to mellow again. Some nice keys enter the mixture with layers and take a very progressive direction with more change to a more rhythmic riffing, and then the bass/drums follow as the vocals are steady and match all these shifts in direction musically. Then, it goes to a heavier sound and again transfers over, rotating the three significant changes you will hear in the composition. It is very complex and impressive. As you get closer to the end of the side, a strong bass chimes in with a sharp lead guitar as it changes one last time. Now it's time to flip the platter over to side two.

 

Side two starts with "One Day Hi One Day Lo," which has an excellent orchestral beginning like you may hear on a movie soundtrack or documentary. Then, a heavy bass starts as the drums follow. A superb guitar gets your attention as the vocals begin. You hear some good harmonizing, something they do well consistently. A slower pace is now in place, and a more defined guitar. Some pedal effects and stinging leads grab you. It changes to a more straight-ahead rocker, then another quick shift, sounding more like a pop-rock commercial band than prog rockers, which was interesting with a prominent bass to remind you who you are listening to. Harmonizing happens again, and then a funky bass makes things more interesting. A good keyboard section, then an uplifting guitar part featuring some speedy playing, is impressive. They show off their chops often on this recording, which I appreciated.

 

"I'll Let You In" closes things out softer, with the acoustic guitar beginning this slow mover. Then, a more upbeat electric guitar comes in, with some good rhythm and harmonizing. The music quality is high-level, with some sophisticated playing; however, this track should have started side two so they could have ended the album with more intensity and excitement with "One Day Hi One Day Lo."

 

A richer sound makes up for the weaker lead vocals when this band sings together. The musicianship, as I have mentioned several times, is beyond reproach. If Nektar gets a different lead singer with a more robust and precise set of pipes, their direction will improve. An entirely new audience will be waiting to embrace them, and then getting longtime fans back on board may also happen. The older fans, including myself (although it is good music), may consider Mission To Mars mediocre compared to their earlier catalog.

Keith “MuzikMan” Hannaleck-NAMR Reviews Founder

December 18, 2024

Tracks:

Side One:

1.Mission To Mars

2.Long Lost Sunday

Side Two:

1.One Day Hi One Day Lo

2.I’ll Let You In

Progressive Metal Vinyl Review: Opeth-The Last Will and Testament

Release Date: November 22, 2024

Label: Reigning Phoenix Music

Website

Opeth is the kind of band that has perfected the art of combining elements of the human psyche, including horror, the esoteric, the supernatural, and death. And with all that progressive metal shaking the walls and your consciousness, and at times brutal, they somehow manage to make parts of their music so elegant and beautiful you feel like you are listening to a different band entirely. That separates them with this excellent contrast from dark to light. And it always has right from the start.

Opeth Is:

Martin Mendez-Bass Guitar

Waltteri Väyrynen-Drums

Mikael Åkerfeldt-Vocals, Guitar

Joakim Svalberg-Keys, Vocals

Fredrik Åkesson-Guitar,Vocals

 

With The Last Will and Testament, they have brought back the "growling" death metal vocals. However, it is at a minimum compared to the early catalog of releases, although very appropriately placed lyrically. Another fantastic factor is leader Mikael Åkerfeldt's ability to switch that type of vocal back to his normal singing voice, which is excellent. This recording is the 180-gram Gold vinyl LP and poster version. Each side has two amazing progressive metal masterpieces. Interestingly, every track has no title until you reach the end. The cover art instantly reminded me of the horror classic The Shining; Jack Nicholson sitting in the middle is the only thing missing! As I listened, I felt the music could be a booming soundtrack for a horror picture.

 

Side A opens with "§I” and some excitement, followed by a furiously quick few minutes to start with a bang. The synth is orchestral, followed by a brief bass section featuring a heavy guitar throughout. The track is complex, announcing that the band is back as strong and potent as ever and one of the top progressive metal bands in the world. I feel their intensity and complexity consistently make their music captivating, and this is a superb opener.

 

"§II" begins with a bass line and rapid drum roll, then the lead guitar enters, and you can feel the growling coming soon, and it does. They transition back and forth between the two vocal styles, which I believe must have been difficult. Mikael is testing his vocal range, and then midstream gets very soft and beautiful, seemingly an easy task for this incredibly talented group. Then it gets more atmospheric with Ian Anderson's flute (great idea to have him come in as a guest!). I must admit he brings a new element to the Opeth sound and a nice touch. Then, after that segment, they explode into a wall of sound (which happens often on this album and typically in their style). Some excellent guitar work follows, and then the growling vocals return to change direction (yet again) for the dark, foreboding sound, then back to a more spacey sound, and a return to the band full force together to end the track.

 

Side B begins with "§III" as the bass, drums, and guitar come crashing down. The intensity is immediate, like watching and feeling the sledgehammer fall on yourself. Many changes in the track define what progressive metal is at its very finest. The drums are excellent, and the music changes dramatically towards the end with kids talking, then it goes into an orchestral segment of sheer beauty.

 

There is a segue into "§IV" with a powerful growling that says, "Pay attention!" The lyrics are harsh to keep the subject matter of death at the forefront with added religious cynicism. The spoken word and the music are deliberate, working hand in hand. Back and forth, it travels with ever-shifting runs of excellent guitar, etc. They set you up with a mellow transition, then slam your perception with a reality check. They remind you of their command and power in the music, using their instruments and lyrics to transform each storyline into a reality magically.

 

Side C begins with "§V" with a complex and heavy beginning, then the spoken word (Ian Anderson) with a reading of the The Last Will and Testament, indicating how this story will change and how we are getting closer to the end of this journey. Combining the keys with all the other elements creates the drama of the lyrics, which amplifies every word. It is like watching a play unfold on stage with all the characters. The razor-sharp guitar licks with growls send a chill down your spine. The mystery and excitement continue to build.

 

"§VI" starts with an acoustic guitar, beautifully altering your mood and mindset from the previous onslaught of emotion with immediacy. It gets more layered with the rest of the band joining in. And this is what makes Opeth so charismatic. It then gets more intricate, and a great guitar run brings the entire band up to another level (as if they needed to be?) for an auditory slice of prog metal heaven (or is it hell?). Superb musicianship is their hallmark on every track, including this one.

Side D opens with "§VII," featuring a prominent bass and an acoustic guitar. Then, some keys and a layer of ambiance were a nice touch. Then, the switch to that excellent electric guitar work, some growling, and a succession of instrumentation. Drums get the spotlight as the vocals change back to normal. The music changes again to very heavy with more growling. The guitar playing is magnificent, as usual.

 

Here we are at the end with "A Story Never Told," which hints at provoking many thoughts right away before it starts. Some grinding keys begin as the drums and guitar enter the mix beautifully. The energy builds, and the vocals increase in intensity, growling as the music reaches the apex of sound. Then, a superb keyboard run plays out as the drums and bass work hard to keep it driving along and continually moving forward.  There is a mellowed-out acoustic ending for a massive change in direction, and the album closes out.

 

The Last Will and Testament may very well be Opeth's ultimate recording. In the past, before they eliminated the growling vocals, I did not care for it at all. This time, I found that the way it was used was perfect. The way Mikael presents it makes it more than bearable; I did not mind it at all and found it worked very well with all of the subject matter and music that was going on at the time. Those who missed the growling vocals will consider this a return to form and then some.

 

This is the best progressive metal album I have heard in 2024, no contest.

Keith “MuzikMan” Hannaleck-TFOV Reviews Founder

December 13, 2024

Tracks:

Side A:

A1. §I

A2. §II

Side B:

B1. §III

B2. §IV

Side C:

C1. §V

C2. §VI

Side D:

D1. §VII

D2. A Story Never Told

PROG ENSEMBLE IAMTHEMORNING’S VIRTUOSO PIANIST GLEB KOLYADIN RETURNS WITH NEW SINGLE ‘GLIMMER’

Photo credit: Avgusta Levina

PROG ENSEMBLE IAMTHEMORNING’S VIRTUOSO PIANIST GLEB KOLYADIN RETURNS WITH NEW SINGLE ‘GLIMMER’

THE FIRST SINGLE TO BE RELEASED FROM HIS UPCOMING ALBUM MOBULA (28^TH FEBRUARY 2025)

Revered pianist and one half of atmospheric prog duo Iamthemorning Gleb Kolyadin returns today with the first single from his new solo album Mobula (28^th February). The track, titled ‘Glimmer’, introduces new styles and folk elements for Gleb, taking listeners on a journey through cosmic landscapes, shifting times of day, and deep space, where imagination transforms the ordinary.

‘Glimmer’ is brought to life by a mesmerizing, handcrafted animation by Natalia Ryss. Known for her work with Max Cooper, Ryss’ stunning video, crafted frame by frame over three months using different techniques like rotoscoping, perfectly mirrors the track's otherworldly charm and adds a visual depth to the ethereal quality of the music.

WATCH THE VIDEO FOR ‘GLIMMER’

(https://youtu.be/y1plVxGJeNM )

STREAM / DOWNLOAD ‘GLIMMER’ HERE

(https://orcd.co/gk_glimmer_listen )

Drawing from poloniumcubes - Gleb's vast music diary of over 500 tracks - Mobula unfolds as a suite of 14 short stories, each one a vibrant novella in sound. It’s a sci-fi-inspired odyssey that captures the spirit of grace and exploration, embodied by the album’s titular oceanic creature. From neoclassical elegance to pulsating electronic beats & folk textures, Mobula traverses genres and emotions, mirroring the movements of an imaginary planet and its ever-changing atmospheres.

Gleb Kolyadin – Mobula
1. Parallax [04:18]
2. Glimmer [04:03]
3. Afterglow [03:22]
4. Dawnlight [01:55]
5. Radiant [04:24]
6. Observer [01:41]
7. Transient [03:06]
8. Crystalline [02:29]
9. Fractured [02:40]
10. Tempest [02:34]
11. Nebular [02:38]
12. Shimmer [05:41]
13. Starfall [02:32]
14. Gaia [03:20]

PRE-ORDER MOBULA – OUT 28^TH FEBRUARY ON PURPLE VINYL LP, BLACK VINYL LP AND CD
(https://GlebKolyadin.lnk.to/mobula )

Mobula marks Gleb Kolyadin’s first album fully conceived and produced in the UK, following his relocation two years ago under a Global Talent visa. The album, mixed and mastered by Vlad Avy, blends rich folk and ethnic influences with electronic rhythms. Central to Mobula’s vibrant sound is the contribution of percussionist Evan Carson, a notable figure in the folk scene, whose work on almost all the tracks added an exuberance and dynamism to the rhythmic palette.

‘his music comes from deep within his soul. What treasure lies there’ – Prog Magazine

Adding to the album’s distinct character is the enchanting resonance of a 100-year-old Broadwood grand piano that was used throughout the recording process. Captured by engineers Marcel van Limbeek (Tori Amos) and Gianluca Capacchione (Max Meser), the piano brings a timeless, organic warmth to the compositions, contrasting beautifully with the album’s modern production techniques.

‘a master’ – Classic Rock Germany

Mobula will be released on 28^th February on Kscope on purple vinyl LP, black vinyl LP, CD and digitally. Pre-order here: https://GlebKolyadin.lnk.to/mobula

Follow Gleb Kolyadin:

Facebook
Instagram
Spotify

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

Jon Anderson and The Band Geeks Announce Live CD/DVD Release

“And You And I” Video Premieres Today!

Following the worldwide acclaim for their debut album “TRUE”, Jon Anderson and The Band Geeks announce today the March 14th release of the CD/DVD package “Jon Anderson and The Band Geeks Live- Perpetual Change”. The band recorded and filmed the entire show at the Aracada Theater in St. Charles, Illinois on their August 2023 summer tour. The concert will be available as a two CD/DVD package as well as a triple vinyl package. Both are available for preorder today here: https://ffm.to/jonandersonperpetualchange

To celebrate today’s announcement, the band is premiering a video of the YES classic “And You And I” taken from the DVD. Watch the video here: https://youtu.be/nTGt2rr0o74

Below is the track listing for both configurations:
Yours Is No Disgrace
Perpetual Change
Close To The Edge
Heart Of The Sunrise
Starship Trooper
Awaken
And You And I
Your Move/ I’ve Seen All Good People
Gates Of Delirium
Roundabout

For more information:
Jon Anderson’s official website: www.JonAnderson.com
Band Geek official website: https://richiecastellano.com/bandgeek/
Jon Anderson YES Epics and Classics:
Website -  http://jonandersonyesepicsandclassics.com/
Facebook - Jon Anderson YES Epics & Classics - https://www.facebook.com/jonandersonyesepicsandclassics/
Twitter - @JonYesEpic
Instagram - @jonandersonyesepicsandclassics
TikTok - @JonAndersonYESEpic
YouTube - Jon Anderson YES Epics & Classics - https://www.youtube.com/channel/UCIvSkw_3SAs1Yy2Ro68GzLw

Management:
Larry Mazer
Entertainment Services Unlimited
One Echelon Plaza, 227 Laurel Road, Suite 106
Voorhees, NJ 08043
P - 856.751.2223
C- 856-816-2820

Agent:
Steve Schenck | TKO
141 Halstead Avenue | 4th Fl.  Mamaroneck, NY  10543
PH: 914-346-8938
email: steveschenck@tkoco.com

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com